I’m excited to be teaching a class at Pratt Fine Arts Center again! This time it is a one-day workshop on forging simple bracelet forms (such as cuff bracelets) in Pratt’s nicely equipped jewelry studio.
Display and photo by Rebbecca Tomas.
The class is primarily intended for jewelers interesting in working some hot metal and expanding their vocabulary of metal working skills. However, novice blacksmiths who are interested in delving into the world of jewelry will also be interested in some of the jewelry making aspects. Steel will be the primary metal used, with some demonstrations using other metals.
Heat it! Hammer it! Bend it! Wear it!
The class was great! Plenty of enthusiasm and energy!
The above picture is of the viewpoint at Grand Avenue Park in Everett, Washington. I was chosen some time ago to build some railings for the scenic overlook. It is a breathtaking view of the Olympic mountains across Puget Sound (when the mountains are not shrouded in clouds).
The design requirements of the project were pretty straightforward; there were to be six sections, eight feet long and 42 inches tall. The outside frame was to be 2 inch solid square for the upright ends and 1 1/2 inch solid square for the top and bottom. The thinnest any part of the infill could be was 3/4″ X 3/4″. Of course, the usual railing standard that dictated any open area must be less than a four-inch circle also applied.
During several visits to the site, before I began the project, I became fascinated with the ever-changing cloud formations and how the waters of the Sound reflected the mood of the sky. It was a dramatic vista and nothing I could possibly do would be able to compete with the surroundings. My best hope was to complement the site.I had a couple other challenges that I gave myself. One challenge was that the railings use some type of mechanical (traditional blacksmithing) joinery. As a blacksmith, creating work for a visible public setting, it seemed like a great opportunity to give an example of work that utilized the process of forging. Another challenge I faced was that the railings, once installed, would be visible from a considerable distance below the hill. If the railings were merely 3/4″ rods, they would disappear into a blur when viewed from such a distance. I thought that they might also serve as a landmark from the bottom of the hill, in addition to being a feature at the top (where their function as railings was served).
A visit to various historical archives provided some additional inspiration. I’ll let you investigate on your own to discover some of Everett’s colorful past. What I did glean from my investigation was that Everettt began as a city of optimistic promise and has a backbone founded on industry. Both of these continue to the present. It is also a relatively new city (by most of this country’s standards) and the tales of the Native Americans who lived there did not happen all that long ago.
Now I was prepared to begin. Filled with the same optimistic promise as the city that commissioned these, I wanted to pay homage to the natural surroundings, the Native Americans who took care of the land before the captains of industry arrived and to capture some of the essence of all the good things that industry (and human ingenuity) can provide. I felt that keeping some evidence of hammer blows (and there are thousands in this project) would give a sense of the industrial aspect. The central component of the railings gets its inspiration from a Native American oar design and provides a central focus, a beginning to the design. My biggest concern at this point was to capture some of the delicate, ephemeral nature of the clouds and the sea below. This I hoped to accomplish through the use of broad, sweeping curves, punctuated by precise alignment of vertical elements. Doing this with 1 1/4″ forged steel would be challenging. If I were to give a title to this project, I would call it “Where Sea and Sky Meet”, for that was a theme that kept recurring throughout the process.
Soon the railings will be installed.
You may check out the rest of my blog for more delicious metalsmithing topics by clicking the link.
Soapstone is a predominant feature of any blacksmith’s design process. A naturally occuring mineral, it is highly effective at creating white lines that will withstand the heat of the forge. Likewise, it is very handy at making notations on the floor during the design process.
It started out as a drawing on the floor. . .
The finished product. Photo by Rebbecca Tomas.